• Campus Life – What's it like being on a production crew at Pixar? Get a look at a day in the life of the "Monsters University" crew through their own eyes. (Disc 3, HD, 15 minutes)
  
• Story School – This documentary examines the challenges of creating a prequel as well as themes that run through the story, and the change in focus from Sulley to Mike. We'll also look at how gags are developed – from writing jokes to brainstorming a million ideas (Disc 3, HD, 9 minutes)
  
• Scare Games – At Pixar, we play hard while we work. The same people who keep the film production moving – producers, managers, coordinators and artists – are also the ones who bring spirit and excitement to some of our extracurricular activities. We check out the MU production teams as they go head to head in the mostly playful Pixar Scare Games competitions. (Disc 3, HD, 5 minutes)
  
• Welcome to MU – Sets aren't just buildings, they are the worlds our characters live in and explore. This look at the Monsters University campus and its development is told from the perspective of the artists who created each piece of the campus from the architecture to the ivy leaves. (Disc 3, HD, 6 minutes)
• Music Appreciation – Randy Newman's scores are a mainstay of Pixar films, and this documentary will give you a privileged look at his creative process. We follow the "Monsters University" scoring process from spotting to writing and on to the scoring session. including special college-themed recording sessions. (Disc 3, HD, 7 minutes)
  
• Scare Tactics – Animators are actors who digitally bring the characters to life. In this look at how the MU animation team worked, you'll see their process of how they channeled their own monster-selves and created moments on screen that were really funny, really scary and also really serious, sometimes all at the same time. (Disc 3, HD, 5 minutes)
  
• Color and Light – How can a single painting set the tone for an entire scene? We'll look at the creation of the colorscripts and how they were realized technically in the final film. Along with the paturalistic feel. (Disc 3, HD, 5 minutes)
  
• Paths to Pixar – MU Edition – When one door closes, sometimes another door opens – one with an even more exciting opportunity behind it. Members of the MU crew tell their own compelling backstories and share the challenges they overcame along their paths to Pixar.5% of which actually end up in the movie. (Disc 3, HD, 8 minutes)
  
• Furry Monsters: A Technical Retrospective – Explore the difficulties in creating characters that are 20 years younger with tools that are 10 years more advanced in this contrasting look at the differing technical challenges that arose when making "Monsters, Inc.," and "Monsters University." (Disc 3, HD, 5 minutes)
  
• Deleted Scenes with an introduction from director Dan Scanlon: (Disc 3, HD, 22 minutes)
  
  • "Rivalry"
  • "Recon"
  • "Movie Night"
  • "Drama Class"
• "The Blue Umbrella" – This animated short film from Pixar Animation Studios, directed by Saschka Unseld and produced by Marc Greenberg, played in theaters in front of "Monsters University." "The Blue Umbrella" tells the story of an evening commute in which the rain starts to fall and the city comes alive to the sound of dripping rain pipes, whistling awnings and gurgling gutters. And in the midst, two umbrellas—one blue, one not—fall eternally in love. (Disc 1 & 2, HD, 7 minutes)
  
• Monthropology (Disc 3, HD, 6 minutes): Designing, diversifying, puppeting, animating and breathing life into the Monsters University students and faculty, using every trick, tool and technique at the Pixar team's disposal.
• Audio Commentary
• Promo Picks (Disc 3, HD, 14 minutes)
  
• College Campaign
• Theatrical Campaign
• Set Flythroughs (Disc 3, HD, 6 minutes):
  
• Art Gallery (Disc 3, HD): View a large collection of artwork divided into five categories:
  • "Characters,"
  • "Color Keys,"
  • "Development Art,"
  • "Environments" and "Graphics."

A look at the relationship between Mike and Sulley during their days at the University of Fear -- when they weren't necessarily the best of friends.